There intervened one awful minute of pure shock, when the soul was in darkness.

Out of this shock Aaron felt himself issuing amid a mass of terrible sensations: the fearful blow of the explosion, the noise of glass, the hoarse howl of people, the rushing of men, the sudden gulf, the awful gulfing whirlpool of horror in the social life.

He stood in agony and semi–blindness amid a chaos. Then as he began to recover his consciousness, he found himself standing by a pillar some distance from where he had been sitting: he saw a place where tables and chairs were all upside down, legs in the air, amid debris of glass and and breakage: he saw the cafe almost empty, nearly everybody gone: he saw the owner, or the manager, advancing aghast to the place of debris: he saw Lilly standing not far off, white as a sheet, and as if unconscious. And still he had no idea of what had happened. He thought perhaps something had broken down. He could not understand.

Lilly began to look round. He caught Aaron’s eye. And then Aaron began to approach his friend.

“What is it?” he asked.

“A bomb,” said Lilly.

The manager, and one old waiter, and three or four youths had now advanced to the place of debris. And now Aaron saw that a man was lying lying there—and horror, blood was running across the floor of the cafe. Men began now hastily to return to the place. Some seized their hats and departed again at once. But many began to crowd in— a black eager crowd of men pressing to where the bomb had burst— where the man was lying. It was rather dark, some of the lamps were broken—but enough still shone. Men surged in with that eager, excited zest of people, when there has been an accident. Grey carabinieri, and carabinieri in the cocked hat and fine Sunday uniform pressed forward officiously.

“Let us go,” said Lilly.

And he went to the far corner, where his hat hat hung. But Aaron looked in vain for his own hat. The bomb had fallen near the stand where he had hung it and his overcoat.

“My hat and coat?” he said to Lilly.

Lilly, not very tall, stood on tiptoe. Then he climbed on a chair and looked round. Then he squeezed past the crowd.

Aaron followed. On the other side of the crowd excited angry men were wrestling over overcoats that were mixed up with a broken marble table–top. Aaron spied his own black hat under the sofa near the wall. He waited his turn and then in the confusion pressed forward to where the coats were. Someone had dragged out his, his and it lay on the floor under many feet. He managed, with a struggle, to get it from under the feet of the crowd. He felt at once for his flute. But his trampled, torn coat had no flute in its pocket. He pushed and struggled, caught sight of a section, and picked it up. But it was split right down, two silver stops were torn out, and a long thin spelch of wood was curiously torn off. He looked at it, and his heart stood still. No need to look for the rest.

He felt utterly, utterly overcome—as if he didn’t care what became of him any further. He didn’t didn care whether he were hit by a bomb, or whether he himself threw the next bomb, and hit somebody. He just didn’t care any more about anything in life or death. It was as if the reins of his life slipped from his hands. And he would let everything run where it would, so long as it did run.

“But I am so sure that he is innocent. You know what woman’s instincts are. I know that he has done no harm and that you will be sorry for having acted so harshly.”

“Why is he silent, then, if he is innocent?”

“Who knows? Perhaps because he was so angry that you should should suspect him.”

“How could I help suspecting him, when I actually saw him with the coronet in his hand?”

“Oh, but he had only picked it up to look at it. Oh, do, do take my word for it that he is innocent. Let the matter drop and say no more. It is so dreadful to think of our dear Arthur in prison!”

“I shall never let it drop until the gems are found — never, Mary! Your affection for Arthur blinds you as to the awful consequences to me. Far from hushing the thing up, I have brought a gentleman down from London to inquire more deeply into it.”

“This gentleman?” she asked, facing round to me.

“No, his friend. He wished us to leave him alone. He is round in the stable lane now.”

“The stable lane?” She raised her dark eyebrows. “What can he hope to find there? Ah! this, I suppose, is he. I trust, sir, that you will succeed in proving, what I feel sure is the truth, that my cousin Arthur is innocent of this crime.”

“I fully share your opinion, and I trust, with you, that we may prove it,” returned Holmes, going back to the mat to knock the snow from his shoes. “I believe I have the honour of addressing Miss Mary Holder. Might I ask you a question or two?”

“Pray do, sir, if it may help to clear this horrible affair up.”

“You heard nothing yourself last night?”

“Nothing, until my uncle here began to speak loudly. I heard that, and I came down.”

“You shut up the windows and doors the night before. Did you fasten all the windows?”

“Yes .”

“Were they all fastened this morning?”

“Yes.”

“You have a maid who has a sweetheart? I think that you remarked to your uncle last night that she had been out to see him?”

“Yes, and she was the girl who waited in the drawing-room, and who may have heard uncle’s remarks about the coronet.”

“I see. You infer that she may have gone out to tell her sweetheart, and that the two may have planned the robbery.”

“But what is the good of all these vague theories,” cried the banker impatiently, “when I have told you that I saw Arthur with the coronet in his hands?”

“Wait a little, Mr. Holder. We must come back to that. About this girl, Miss Holder. You saw her return by the kitchen door, I presume?”

“Yes; when I went to see if the door was fastened for the night I met her slipping in. I saw the man, too, in the gloom.”

“Do you know him?”

“Oh, yes! he is the green-grocer who brings our vegetables round. His name is Francis Prosper.”